Showing posts with label origin of music. Show all posts
Showing posts with label origin of music. Show all posts

Friday, April 24, 2015

Can Classical Music Make Us Smarter?

Classical Music Developed in 18th Century

Classical music is usually seen as a choice of the refined, music for clever people having stylish taste and since many tend to listen to classical music regularly to relax, there have been claims that listening and playing classical music could do more than entertaining. Research has recommended that the music of Mozart could boost the power of the brains enabling us to grow more intelligent. Suzy Klein, writer and broadcaster visits the Royal College of Music Museum to explain toher, power of classical music and find out if it has made her smarter.

Classical music developed in the 18th century due to a way of writing music down which was accepted all over Europe. It not only enabled complex musical instruction on what to play, how to play and who played it but also helped to preserve music for the future generations. Classical has its own term like symphony, sonata and concerto which baffles those who are untrained. Music tends to have its own language with strange symbols and musicians need to be able to read these musical notations prior to picking up an instrument to play a piece of music.

Classical Music Associated with Intelligence

Plenty of practice is essential in order to play classical music of good standard. The reason to think that classical music is associated with intelligence is due to a study dubbed the Mozart Effect. Researcher carried out an experiment in 1993 and volunteers were divided into two groups with each group asked to perform complex origami style tasks.

Each group, in the experiment were asked to listen to different music and had their speed and efficiency measured while carrying out the task. It was found that the group which had listened to Mozart’s music excelled in the task and their IQs boosted for the duration of time they had performed the task. The discovery was published by the researchers in the respected science journal – Nature which unexpected started a phenomenon.

The classical music soon unlocked the doors of untapped reserves of the mind and gave way to the Mozart Effect. There were several issues that came up when other researchers struggled to duplicate the Mozart Effectwith some who produced a similar effect but not with Mozart’s music.

The Mozart Effect 

The Mozart Effect could have been generally de-bunkedbut with science’s attraction with music together with its effect on the brain led to a sincerely fascinating encounter where playing music was at the forefront. Boosting our brains with music may not depend on listening to it but in learning to play it and learning a musical instrument had indication of sharpening the learning skills, improve our motor coordination as well as our memories.
Besides teaching new useful skills, playing a musical instrument could also permanently activate our brains. Scan done on professional musician’s brains have indicated that there has been great development in areas which involve sound processing, coordination and movement when compared to non-musicians.

Though there is no confirmation that musicians could be more intelligent due to playing an instrument or singing, it is clear that musicians’ brains have improved for the better by their dedication and love for music. Often people tend to enjoy listening and playing music which enables them to relax and discover more about themselves. Music does help to change the overall mind set.

Monday, October 22, 2012

History Mystery: Music Theory of Pre Historic World

  The Sumerian not only developed the first cuneiform writings but all so they developed the new mathematical system with a base number of 60 (Every one of you aware, now we are following a decimal system of numbers based on 10). They have created a far-reaching acoustical theory with mathematical model for their universe. That was the laying stone for their musical system and they assigned each number to their god and their functions which is the basic ratio of music system. Here you have to keep in mind the Sumerians cuneiform writings and mathematical notations were fully exploited by the later period Babylonian who controlled them in the later period. If you are the regular reader of my blog then no need to say In Mesopotamia the myths and mythology took a firm place in their life. They have marked the important events of their gods in bricks in a matrix form they used few symbols and marks to notate them. The classical music tones were to be deciphered and it is waiting more than 2000 years.

    The musical theory is nothing but acoustic science about the notes and the distance between their pitches connecting with the ratios of integers and numbers. This kind of theory was first accredited by the famous mathematician of the 6th century BC the great Pythagoras. All the countries like India Greece, Egypt, and China of those days music was very important in cultural life and all of them have a same mythic values for the same numbers. Amazing isn’t it??? They played a greater role in mention the musical intervals. This similarity between the cultures raises our doubt that any of those people were expert in musical knowledge in other words Acoustics. The Mesopotamian used the word “Harp” which also referred the string length. You can correlate the pitch and the string length. Likely in prehistoric china people used the leg bones of the birds and they hole them accurately to give specific tones as flutes. These pairs of flutes were used in the rituals of the sacred burials. The expertise in making holes to the suitable note proves their knowledge in the music. The Sumerian tombs of fourth millennium BC gives a valuable proof for their music knowledge, harps, lyres and pipes and many literature with musical notes of hymns in clay tablet yet to be deciphered perfectly give evidence to their usage of 60 based number theory. The religious gods were assigned glyph a grooved notation or a symbol followed by a particular number named after that god himself. And the importance of these numbers can be ascertained from the triangular pebble counter.

The Sumerian mythology and cosmology is based upon the symbolic copulation of the male and female numerical number arrays. The head god of the Sumerians is the sky god “An” (A male god; I know my regular blog readers are familiar with this name) is assigned 60 written as one in cuneiform. Mathematically “An” is the geometrical mean and is the mean of any number and it’s reciprocal. Theologically An/ Anu is the central reference point, middle group of sky else it is the middle tone of reference. The Sumerian platonic harmonics are very simple to learn, why because even those can count the base ten can sing and play the scale constructively which resembles the cosmos. Since 60 are perfectly divisible by multiples of 2 and 3 it can be correlate with many subsystem which allows the handling of fractions. Amazingly this is the very early mastery of arithmetic. Most of the pitch ratios- string length calculations of ancient harps, length of the panpipes of those days which is similar to that of the flute, tone -Hole ratios of the Aulos are based on this mastery of the number theory.